Sandro Botticelli
Sandro Botticelli's Oil Paintings
Sandro Botticelli Museum
c. 1445 – May 17, 1510. Italian painter.

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unknow artist
Portrait of Frances d'Arblay 'Fanny Burney' (1752-1840), British writer

ID: 76787

unknow artist Portrait of Frances d'Arblay 'Fanny Burney' (1752-1840), British writer
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unknow artist Portrait of Frances d'Arblay 'Fanny Burney' (1752-1840), British writer


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unknow artist

  Related Paintings of unknow artist :. | drottning maria elenora | Sir Henry Untonwas a well-to-do Elizabethan Gentheman | Classical hunting fox, Equestrian and Beautiful Horses, 177. | aijalanjoen silta rakennusvaiheessa | Still life of Roses and convulvuli in a Glass vase,Together with peaches,grapes,pears and plums |
Related Artists:
Harmen van Steenwyck
Dutch Painter of still lifes, notably of fruit , 1612-1659
Giovanni Lorenzo Bernini
Italian Baroque sculptor, painter and architect.1598-1680 was a pre-eminent Baroque sculptor and architect of 17th Century Rome. Bernini was born in Naples to a Mannerist sculptor, Pietro Bernini, originally from Florence. At the age of seven he accompanied his father to Rome, where his father was involved in several high profile projects. There as a boy, his skill was soon noticed by the painter Annibale Carracci and by Pope Paul V, and Bernini gained the patronage exclusively under Cardinal Scipione Borghese, the pope's nephew.
TIBALDI, Pellegrino
Italian Painter, 1527-1596 Painter and architect. Pellegrino Tibaldi's early paintings show the influence of Bagnacavallo and of other Bolognese followers of Raphael, but his actual teacher is unknown. Vasari's claim that his own works in S Michele in Bosco, Bologna, formed Tibaldi's artistic education is hardly borne out by the latter's first efforts. The Mystic Marriage of St Catherine (c. 1545; Bologna, Pin. N.) is, in its classical, hierarchical simplicity, clearly inspired by Raphael's manner as interpreted by his Bolognese imitators; although it also bears delicate marks of Parmigianino's grace, the power of its expressive dignity and the architectural background hint at Tibaldi's future development. Tibaldi's Adoration of the Shepherds






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